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Il trono di spade 7
Il trono di spade 7









il trono di spade 7

McCaffrey, Matthew, “The Economic Sense in Game of Thrones”, Mises Institute,, , online (ultimo accesso ). MacNeil, William P., “Machiavellian fantasy and the game of lives”, Critical Quarterly, 57.1 (April 2015): 34-48. Lowrey, Annie, “Europe’s New Lost Generation”, Foreign Policy,, , online (ultimo accesso ). Lambert, Charles, “A tender spot in my heart: disability in A Song of Ice and Fire”, Critical Quarterly, 51.1 (April 2015): 20-33. Koblin, John, “‘Game of Thrones’ Finale Draws Record Ratings”, The New York Times,, , online (ultimo accesso ). Kasperkevic, Jana, “Tired, poor, huddled millennials of New York earn 20% less than prior generation”, The Guardian,, , online (ultimo accesso ). James Edward (Ed.), Cambridge Companion to Fantasy, Cambridge University Press, Cambridge, 2012. Iannuzzi, Giulia, “Sexposition e potere a Westeros”, Quaderni d’altri tempi, 63 (2016),, online (ultimo accesso ). Gender, Game of Thrones and Multiple Media Engagements, Bloomsbury, New York/London, 2016. Gjelsvik, Anne – Schubart, Rikke (eds.), Women of Ice and Fire.

il trono di spade 7

Martin: The Rolling Stone Interview”, Rolling Stone,, , online (ultimo accesso ). Tolkien, The Kent State University Press, Kent, Ohio, 2012.

il trono di spade 7

Gerold Sedlmayr – Nicole Waller, McFarland & Company, Inc., Publishers, Jefferson, North Carolina, 2014: 85-96.įlieger, Verlyn, Green Suns and Faërie.

il trono di spade 7

Martin’s A Song of Ice and Fire”, Politics in Fantasy Media, Eds. – Pierret, Charles R., “Independence for young millennials: moving out and boomeranging back”, Bureau of Labor Statistics, December 2014,, online (ultimo accesso ).Įgner, Jeremy, “‘Game of Thrones’ Season 7, Episode 7: Dragons, Wolves and Family Reunions”, The New York Times,, , online (ultimo accesso ).Įmig, Rainer, “Fantasy as Politics: George R. Claudio Bonvecchio, Milano-Udine, Mimesis, 2008.īerridge, Scott, “Millennials after the Great Recession”, Bureau of Labor Statistics, September 2014,, online (ultimo accesso ).īruun Vaage, Margrethe, The Antihero in American Television, Routledge, New York, 2016.Ĭlute, John – Grant, John (eds.), The Encyclopedia of Fantasy, London, Orbit, 1997.Ĭohen, Jonathan, “Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters”, Mass Communication and Society 4.3 (2001): 245-264.Ĭollins, Scott, “PBS reveals who’s really watching ‘Downton Abbey’”, Los Angeles Times,, , online (ultimo accesso ).Ĭuccinello, Hayley C., “’Game Of Thrones’ Season 6 Costs $10 Million Per Episode, Has Biggest Battle Scene Ever”, Forbes,, , online (ultimo accesso ).ĭey, Judith D.

#Il trono di spade 7 tv

Alfano, Adgate, Brad, “What 'Mad Men' Was And Wasn't”, Forbes,, , online (ultimo accesso ).Īyers, Mike – Calia, Michael, “How ‘Game of Thrones’ Became the Most Viral Show on Television”, The Wall Street Journal,, , online (ultimo accesso ).īandirali, Luca – Terrone, Enrico, Filosofia delle serie TV dalla Scena del Crimine al Trono di Spade, Milano-Udine, Mimesis, 2012.īarker, Martin J., “ The Lord of the Rings and ‘Identification’: A Critical Encounter”, European Journal of Communication, 20.3 (2005): 353-378.īellini, Paolo, “L’anello del potere e il nichilismo post-moderno”, La filosofia del Signore degli Anelli, Ed.











Il trono di spade 7